"Please let me out, Mr. Gereth," she said; on which he opened the door with an hesitation so very brief that in thinking of these things afterwards—for she was to think of them forever—she wondered in what tone she could have spoken. They went into the hall, where she encountered the parlor-maid, of whom she inquired whether Mrs. Gereth had come in. "I'm trying not to think of myself."!

"Well—I don't!" Mrs. Gereth declared; and Fleda felt less guilty to hear her, for the statement was as inexact as her own. "Didn't you say anything in return?" Mrs. Gereth presently continued. Fleda, before this, had fallen forward on her companion's neck, and the two women, clinging together, had got up while the younger wailed on the other's bosom. "You smooth it down because you see more in it than there can ever be; but after my hideous double game how will you be able to believe in me again?"

"All day long," Fleda smiled. It was true that when after their return from Ricks they tried to lighten the ship, the great embarrassment was still immutably there, the odiousness of sacrificing the exquisite things one wouldn't take to the exquisite things one would. This immediately made the things one wouldn't take the very things one ought to, and, as Mrs. Gereth said, condemned one, in the whole business, to an eternal vicious circle. In such a circle, for days, she had been tormentedly moving, prowling up and down, comparing incomparables. It was for that one had to cling to them and their faces of supplication. Fleda herself could judge of these faces, so conscious of their race and their danger, and she had little enough to say when her companion asked her if the whole place, perversely fair on October afternoons, looked like a place to give up. It looked, to begin with, through some effect of season and light, larger than ever, immense, and it was filled with the hush of sorrow, which in turn was all charged with memories. Everything was in the air—every history of every find, every circumstance of every struggle. Mrs. Gereth had drawn back every curtain and removed every cover; she prolonged the vistas, opened wide the whole house, gave it an appearance of awaiting a royal visit. The shimmer of wrought substances spent itself in the brightness; the old golds and brasses, old ivories and bronzes, the fresh old tapestries and deep old damasks threw out a radiance in which the poor woman saw in solution all her old loves and patiences, all her old tricks and triumphs. Fleda hesitated. "Why do you need saving, when you announced to me just now that you're a free man?"